Minggu, 31 Januari 2016

# Fee Download In the Belly of an Ox: The Unexpected Photographic Adventures of Richard and Cherry Kearton, by Rebecca Bond

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In the Belly of an Ox: The Unexpected Photographic Adventures of Richard and Cherry Kearton, by Rebecca Bond

Raised in the moorlands of Yorkshire, Richard and Cherry Kearton developed a boyhood fascination with nature that fostered their great desire to photograph it.  Together the brothers invented ingenious camouflage "hides" (including one inside the belly of an ox) in order to get closer to their subjects of birds. After three years, the brothers published the first natural history book entirely illustrated with photographs; it changed the way people view birds and their nests, inspiring them to protect them rather than plunder them.

  • Sales Rank: #2075228 in Books
  • Published on: 2009-11-16
  • Released on: 2009-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .34" w x 11.00" l, .96 pounds
  • Binding: Hardcover
  • 32 pages

From School Library Journal
Grade 1–4—The cover illustration of a young man carrying an ox on his head should draw children to this picture-book biography of two late-19th century nature photographers from Yorkshire, England. Raised in the countryside, Richard and Cherry Kearton were brothers who produced the first photographic nature book. They worked in London but often escaped with a camera to take pictures of birds, and their nests and eggs. Highly adventurous, the men hid in animal skins and haystacks and climbed, crawled, and waded through bogs to get their shots. Bond's writing is often poetic and captures a sense of wonder: "They especially marveled at the architecture of living things: The structure of nests. The lattice of webs." Sepia ink and watercolor artwork features pale skies and soft-edged hills. A closing spread of photos gives credence to the highly unlikely images of the ox on Cherry Kearton's head and of the brothers standing on a ladder precariously placed on a thin branch in a tall tree. End matter includes quotes and notes on the naturalists' lives following the publication of their groundbreaking work. The book has pleasing prose, attractive illustrations, and a message on early environmentalism. Its popularity is limited only by the obscurity of its subjects.—Ellen Heath, Easton Area Public Library, Easton, PA END

Review

"Bond's watercolors enliven the rolling hills, and paneled illustrations effectively pace the chronology. The story could be tempted to take a humorous turn, focusing on each madcap disguise the brothers thought up, but instead it stays true to the Keartons' sensibilities. A thoughtful look at two important forerunners of nature photography."--Kirkus Reviews

"In the late 19th century, these nature-loving brothers spent their youth navigating the British countryside . . . Bond’s graceful watercolors depict the brothers as they piece together their disguises and gain recognition for their innovative approach to photography. The brothers’ dedication and ingenuity are especially resonant, and their elaborate costumes will amuse but also inspire. "--Publishers Weekly

About the Author
REBECCA BOND grew up in the tiny village of Peacham in northeastern Vermont. When she is not having fun painting and writing, Rebecca is busy fixing up her new (to her) old house in a neighborhood in Jamaica Plain, Boston.

Most helpful customer reviews

2 of 2 people found the following review helpful.
The title and cover bring you in!
By Ros Jennings
A fun and interesting read. The reader gets historical background delightfully presented by a very talented author and artist. It demonstrates that a true story can be presented in such a way that it seems more like an expression of love.

1 of 1 people found the following review helpful.
Library pick of the week!
By ForceField
My 7 year old son picked this book out at the library. Over the past 10 years of motherhood, I have fallen in love with picture books. Little life lessons distilled onto pages, gorgeous and varied artwork, a glimpse into the minds of those who've retained the magic of childhood, not to mention all the joy, education, warm fuzzies and whatnot the kids get out of it. We visit the library weekly and read a wide range of books. Every now and then I find a gem that sets itself above the rest. This true story of two brothers following their dreams, illustrated in realistic but dreamy watercolor was a hit on my couch. Thank you Rebecca Bond!

1 of 1 people found the following review helpful.
Just the Thing for the Child Who Thinks Outside the Box!
By Portianay
What a stunning book this is! Yes, as another reviewer put it, the cover does draw the reader into the book, and it just keeps getting better from there! This book is suitable for mid-to-upper elementary, and really, for any child who feels he may be a "square peg"--and please see Cherry Kearton's comment on that, at the end of the book! Rebecca Bond did a fantastic job on the story, making it informative and interesting, and her illustrations are amazing. My wish is that every "square peg" out there would have the opportunity to change the world the way the Keartons did!

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~~ Download Cengage Advantage Books: A People and a Nation: A History of the United States, by Mary Beth Norton, Carol Sheriff, David M. Katzman, Davi

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Cengage Advantage Books: A People and a Nation: A History of the United States, by Mary Beth Norton, Carol Sheriff, David M. Katzman, Davi

Developed to meet the demand for a low-cost, high-quality history book, this economically priced version of A People and a Nation, 8/e, offers readers the complete text while limiting the number of photos and maps. All volumes feature a paperback, two-color format that appeals to those seeking a comprehensive, trade-sized history text. With stories of everyday people and coverage of cultural diversity, work, and popular culture, this spirited narrative brings history to life by offering the latest scholarship and captivating stories throughout the text.

  • Sales Rank: #462438 in Books
  • Brand: Brand: Wadsworth Publishing
  • Published on: 2009
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.53" h x 6.60" w x 9.03" l, 3.10 pounds
  • Binding: Paperback
  • 992 pages
Features
  • Used Book in Good Condition

About the Author
Mary Beth Norton, the Mary Donlon Alger Professor of American History at Cornell University, received her B.A. from the University of Michigan and her Ph.D. from Harvard University. She teaches courses in the history of exploration, early America, women's history, Atlantic world, and American Revolution. Her many books have won prizes from the Society of American Historians, Berkshire Conference of Women Historians, and English-Speaking Union. Her book, FOUNDING MOTHERS & FATHERS (1996), was a finalist for the Pulitzer Prize. In 2011 her book SEPARATED BY THEIR SEX: WOMEN IN PUBLIC AND PRIVATE IN THE COLONIAL ATLANTIC WORLD was published. She was Pitt Professor of American History at the University of Cambridge in 2005-2006. The Rockefeller Foundation, Guggenheim Foundation, and Huntington Library, among others, have awarded her fellowships. Professor Norton has served on the National Council for the Humanities and is an elected member of the American Academy of Arts and Sciences. She has appeared on Book TV, the History and Discovery Channels, PBS, and NBC as a commentator on Early American history.

Carol Sheriff received her B.A. from Wesleyan University and her Ph.D. from Yale University. She has taught at the College of William and Mary since 1993, where she has won the Thomas Jefferson Teaching Award, the Alumni Teaching Fellowship Award, and the University Professorship for Teaching Excellence. Carol teaches the U.S. history survey as well as classes on the Early Republic, the Civil War Era, and the American West. Her publications include THE ARTIFICIAL RIVER: THE ERIE CANAL AND THE PARADOX OF PROGRESS (1996), which won the Dixon Ryan Fox Award from the New York State Historical Association and the Award for Excellence in Research from the New York State Archives, and A PEOPLE AT WAR: CIVILIANS AND SOLDIERS IN AMERICA'S CIVIL WAR, 1854-1877 (with Scott Reynolds Nelson, 2007). Carol has written sections of a teaching manual for the New York State history curriculum, given presentations at Teaching American History grant projects, appeared in the History Channel's Modern Marvels show on the Erie Canal, and is engaged in several public history projects marking the sesquicentennial of the Civil War.

David W. Blight received his B.A. from Michigan State University and his Ph.D. from the University of Wisconsin. He is Class of 1954 Professor of American History and director of the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at Yale University. He has written FREDERICK DOUGLASS'S CIVIL WAR (1989) and RACE AND REUNION: THE CIVIL WAR IN AMERICAN MEMORY, 1863-1915 (2001), which received eight awards, including the Bancroft Prize, the Frederick Douglass Prize, the Abraham Lincoln Prize, and four prizes awarded by the Organization of American Historians. His most recent book, A SLAVE NO MORE: THE EMANCIPATION OF JOHN WASHINGTON AND WALLACE TURNAGE (2007), won three prizes. He has edited or co-edited six other books, and his essays have appeared in numerous journals. In 1992-1993 he was senior Fulbright Professor in American Studies at the University of Munich, Germany, and in 2006-2007 he held a fellowship at the Dorothy and Lewis B. Cullman Center, New York Public Library. A consultant to several documentary films, David appeared in the 1998 PBS series, Africans in America and has served on the Council of the American Historical Association.

Howard P. Chudacoff, the George L. Littlefield Professor of American History and Professor of Urban Studies at Brown University, was born in Omaha, Nebraska. He earned his A.B. (1965) and Ph.D. (1969) from the University of Chicago. He has written MOBILE AMERICANS (1972), HOW OLD ARE YOU (1989), THE AGE OF THE BACHELOR (1999), THE EVOLUTION OF AMERICAN URBAN SOCIETY (with Judith Smith, 2004), and CHILDREN AT PLAY: AN AMERICAN HISTORY (2007). He has also co-edited, with Peter Baldwin, MAJOR PROBLEMS IN AMERICAN URBAN HISTORY (2004). His articles have appeared in such journals as the JOURNAL OF FAMILY HISTORY, REVIEWS IN AMERICAN HISTORY, and JOURNAL OF AMERICAN HISTORY. At Brown University, Howard has co-chaired the American Civilization Program, chaired the Department of History, and serves as Brown's faculty representative to the NCAA. He has also served on the board of directors of the Urban History Association. The National Endowment for the Humanities, Ford Foundation, and Rockefeller Foundation have given him awards to advance his scholarship.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Unbiased
By H. LaR
I ordered this book for my College history course and so far I am enjoying it. I really appreciate that it's unbiased and even lets the reader know about controversies about certain "facts."

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Brings history to light
By Alma V.
To know where we are headed we must first understand where we are coming from. This book encompasses the greatest country in the world and how it is constantly evolving to meet the need of it's people.

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Perfect in class
By Joycelyn
This book actually starts at chapter 16. I was shocked and thought I had bought the wrong one but fortunatly I did not. It also was in great shape no tape no torn pages, not dirty.

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Jumat, 29 Januari 2016

^ PDF Ebook The Squire's Quest (The Squire's Tales), by Gerald Morris

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The Squire's Quest (The Squire's Tales), by Gerald Morris

Why is it, Terence wondered, that the things you know most surely are always the things you can’t demonstrate to any one else?

And why is it, after all of these years, that Terence is still just a squire, offering advice on how best to scrub the rust spots from armor? But Squire Terence has more to worry about than his place on the social scale. For all the peace and prosperity that has made England famous across Europe, Terence is uneasy. After nearly six months without contact with the World of the Faeries – not even from his old friend, the mischievous sprite Robin – Terence is sure something is rotten in King Arthur's court.

  • Sales Rank: #432526 in Books
  • Published on: 2009-09-28
  • Released on: 2009-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .99 pounds
  • Binding: Hardcover
  • 288 pages

About the Author
When Gerald Morris was in fifth grade he loved Greek and Norse mythology and before long was retelling the stories to his younger sister and then to neighborhood kids. He began carrying a notebook in which he kept some of the details related to the different stories. The joy he found in retelling those myths continued when he discovered other stories. According to Gerald Morris, “I never lost my love of retelling the old stories. When I found Arthurian literature, years later, I knew at once that I wanted to retell those grand tales. So I pulled out my notebook . . . I retell the tales, peopling them with characters that I at least find easier to recognize, and let the magic of the Arthurian tradition go where it will.” Gerald Morris lives in Wausau, Wisconsin, with his wife and their three children. In addition to writing he serves as a minister in a church.

Excerpt. © Reprinted by permission. All rights reserved.
Terence gazed glumly from the turret of Camelot’s highest tower. Before his eyes lay miles of tidy patchwork farms, bordered by hedgerows and forests, all tied together by ribbons of well-kept roads. Britain under King Arthur was a picture of tranquility, a picture that was belied by the tense, anxious emptiness that Terence had felt growing within for more than a month. He turned and picked his way down the tower’s winding stairs.

At ground level, Terence crossed a courtyard where young squires practiced swordplay with wooden cudgels. He nodded to them and returned several polite greetings: although he was older than the next oldest squire present by at least ten years, he was still one of them, in the service of King Arthur’s nephew Gawain.

He stopped once to offer advice to a young squire who was scrubbing at a spot of rust on a breastplate, then continued through the court to the chambers that he shared with Gawain. Gawain sat in an armchair by the fire, nursing a pot of ale.

“There you are, lad,” Gawain commented.

“Here I am.”

“Where’ve you been all day?”

“In the north woods, then on the high tower,” Terence replied. Even to his own ears, his voice sounded abrupt. “Sorry, milord,” he muttered.

“Still worried?” Gawain asked, turning to examine

Terence more closely.

“Ay,” Terence replied. “It’s been nearly six months now since I’ve had any contact with the OtherWorld.”

Gawain shrugged. “Is that so rare? Until I began traveling with you—fifteen, twenty years ago, or whatever it was—I never had contact with the Other World.”

“It’s rare for me. Since we met, I’ve never gone more than a week or two without some word from home.”

When Terence said home he always meant Avalon, the court of his father, Ganscotter, in theWorld of the Faeries. Terence had been raised as a foundling by a hermit until he had been taken on as squire many years before by the young Gawain. In the course of their adventures, Terence had discovered his faery heritage and, through many visits to the Other World since then, had come to realize that he lived in theWorld of Men as a visitor and a stranger.

Gawain nodded. Although he had only a trace of faery blood himself, he was as tied to Avalon in his own way as Terence was. In Avalon lived his wife, Lorie, who was Ganscotter’s daughter and Terence’s half sister. Both Terence and Gawain would have left the World of Men and returned to Avalon in a second if it were not for their loyalty to King Arthur. Ganscotter had told them that they still had a task to perform for their king, and so they remained—their lives and duty in one world, their hearts and hopes in another.

“What are you thinking?” askedGawain. “Have you noticed something peculiar?”

Terence sighed and sat in the other armchair by the fire. It was a breach of courtly etiquette for a squire to sit in the presence of his knight, but they had been through far too much for either to give a straw for such rules. “No, nothing. I don’t have one solid reason for feeling so uneasy. To all appearances, King Arthur’s reign is at its peak. Everything is peaceful and prosperous. It’s been more than a year since the last little revolt, and that was just poor, unhappy Count Anders being a silly ass. King Arthur’s made England what every land ought to be, and people come from everywhere to see how he did it and to bask in his glory.”

Gawain snorted and took a deep draught of ale. “I could do without that last bit,” he commented, wiping foam from his lips with the back of his hand. “It’s gotten so you can’t step outside your door without tripping over another batch of jabbering, overdressed foreign courtiers come to get that Camelot polish, as if Arthur were running some sort of finishing school for knights. And that reminds me, where’s this latest passel of fools from? The ones with the checkerboard trappings?”

A gruff voice came fromthe hallway behindTerence, through the still open door. “From the Holy Bleedin’ Roman Empire.” Neither Terence nor Gawain bothered to look.They both knew the voice of Sir Kai, King Arthur’s half brother and seneschal.

“Come in, Kai,” said Gawain. “Oh, you have. Have some . . . Never mind.” Kai was already at the sideboard, helping himself to a tankard of ale.

He joined them by the fire and continued his own rumbling monologue. “Though why they call themselves Roman makes no manner of sense to me. A passel of Germans.” He frowned. “Is that right? Is it a passel of Germans?”

Gawain looked thoughtful. “It isn’t a flock, I know. Or a gaggle. For that matter, what would you call a group of Britons?”

Kai snorted. “All I know is that I wouldn’t call them Roman.”

Gawain assumed the patient tone of someone instructing a very small child, or an idiot, and said, “Let me explain then, my dear Kai.The founder of this empire was a very important man named Charlemagne, who was a very good Christian except for the bit about killing thousands of people, and so the pope himself granted him the title of Emperor of Rome. So now Charlemagne’s successors are the spiritual descendants of the Roman Caesars.”

“If there was anything spiritual about the Caesars I’ve yet to hear it,” grunted Kai. “And anyway, it isn’t as if the old Roman empire is gone. It’s not what it once was, but it’s still around, moved to Constantinople. So now, because the pope’s a busybody without a lick of sense, we have two bleedin’ Roman empires, and if I have to pick one I’ll take the one that’s farthest off. At least they’re not sending us their wet-nosed brats to learn how to be knights.”

Terence rose from his chair and slipped away. Kai and Gawain would be talking politics for hours, and he had no desire to listen.Outside the door, he took a long breath, then slipped out the window at the end of the corridor and climbed up the outside of the castle wall to a window one level up. He was going where he nearly always went when he felt uneasy or incomplete. He swung through the openwindowinto a neat bedchamber where a red-haired woman sat reading. “Hello, love,” Terence said.

Lady Eileen carefully marked her place in her book, then looked up and met Terence’s smile. “Hello, Terence. I was hoping you’d come by today.”

“Oh?” Terence asked. “Did you have something to ask me?”

“No,” Eileen replied. “I hope that every day.” She rose and walked across the room to him, and they kissed. It had been more than fifteen years since Terence and Gawain had rescued Lady Eileen from the Chateau Wirral, and Terence still caught his breath when he looked into her wise, laughing eyes. She rested her hands onTerence’s shoulders, then stepped back to look at his face from arm’s length. “Now you tell me,” she said. “What’s wrong?”

Terence shrugged. “It’s the same thing. Still no contact from the OtherWorld. Not even a visit from Robin.” Robin was the name of a mischievous little sprite who had been Terence’s most frequent faery visitor.

“And it worries you,” Eileen said, nodding.

Terence nodded back. “Remember, when I was with my father six months ago, he told me there was a plot against Arthur and that I was to be on my guard. Since then, there’s been no contact at all.”

“You think this silence is a part of the plot?” Eileen asked. “That someone is keeping the two worlds apart on purpose? But who could do that?”

“Morgause,”Terence replied at once.Morgause was the most powerful, and most venomous, enchantress in Britain. She was also Gawain’s mother and King Arthur’s half sister, but that had no bearing on the implacable hatred that she bore for both. Terence and Gawain had opposed her plots against the king more than once.

“Remember a few years ago,” Terence said, “when Morgause kidnapped Queen Guinevere? She took the queen to a deserted land and cast a spell over it that kept all faeries from entering. Even I couldn’t go in, and I’m only half faery. Lancelot and Lady Sarah had to rescue the queen.What if Morgause has done something like that for all England?”

“I think you worry too much,” Eileen said at last. “I’m no expert, but I have a feeling that if Morgause had enough power to do that, she wouldn’t have to work by such roundabout means. She’d be able to just kill us all outright.”

Terence relaxed. Of course Eileen was right. “That’s why I keep coming to you.You have such good sense.”

Eileen rolled her eyes. “Why, how complimentary, my dear! I had thought that you came because you were fond of me, but I see now that it’s because I’m useful.”

“Well, I wouldn’t go that far,” Terence replied, grinning. “But you show promise.”

Eileen drew a breath to reply, but before she could speak, there came a loud rap on her chamber door and a thin female voice with a rich accent called out, “Lady Eileen! Are you een?”

“Oh, blast!” Eileen muttered.

“Who is it?”

“A little chit named Fenice,” Eileen said in a low voice. “She’s with this latest group of tourists from the Holy Roman Empire. A silly, pampered girl with a head full of nonsense about romance that she’s picked up frombad minstrels.Quick, in my bedroom. I’ll try to get rid of her, but she’s not strong on taking hints.”

Terence ducked behind Eileen’s bedroom door. For Lady Eileen—one of Queen Guinevere’s chief ladiesin- waiting—to be seen alone in her rooms with a lowly squire would effectively ruin her socially in the eyes of most of the court. He closed the door behind him and heard Eileen opening the outer door. “Good afternoon, Lady Fenice.What can I do for you?”

There was a swishing of silk, and Lady Fenice’s voice grew clearer as she entered Eileen’s sitting room. “Ah, my dear Lady Eileen, I haff just heard the saddest news! I am to return to my home and so must take my leave of you! And I haff been so happy here! And to think! I haff seen Sir Lancelot and Sir Gavain and Sir Yvain and so many of the greatest knights! It is, it is, unglaubhaft—I do not know the English word; wait, I haff it! It is uncredible to see in real life these heroes that one had only in legends thought to live! But you, you do not think so. These heroes are close to you all the time, is it not?”

“I have been here at Camelot many years,” Eileen replied.

“But there is one you are perhaps closer to than others, yes?”

“I’m not sure I understand you, Lady Fenice.”

“One you haff loved faithfully for many years. It is so, yes!”

Eileen hesitated, then replied, “I don’t know to whom you’ve been talking, but I’m sure that whoever it was told you I have never been married.”

“Married? But what has that to say to anything? I do not speak of marriage. I speak of love! Marriage is a contract, a . . . a Notwendigkeit . . . a thing that one cannot help. Me, I will be married soon, but it does not matter.”

“You’ll be married soon?”

“But yes. That is why my visit here must be cut short. A messenger comes to say that my father has arranged a marriage for me.”

“A marriage to whom?”

“The Duke of Saxony. He’s very rich and very old. He will do nicely. But I speak of love! I haff heard whispers of your secret love.”

Terence leaned toward the door.

“You must learn not to pay attention to rumors, Lady Fenice,” Eileen replied calmly.

“I haff been told how he rescued you from a castle called Wirr . . . called something silly and English, and how you have been faithful to him ever since, and how he has never married, for love of you! So I haff come to see you before I leave to hear stories of your love. How does he worship you? Does he poems of love to you write? Allegories? Does he wear your token at the tournaments? Do you send secret messages? Oh, it is so wunderbar! It is likeTristram and Iseult!”

“Sir Tristram and Lady Iseult had a disgraceful affair and both died because of it,” Lady Eileen said abruptly.

“Yes,” sighed Lady Fenice. “Isn’t it romantic? But it isn’t only Tristram and Iseult. I haff also heard that Queen Guinevere, many years ago—”

“I’m afraid I can’t help you, Fenice,” Eileen interrupted. “My congratulations on your upcoming marriage, and I wish you the very best of journeys as you return home.”

Terence grinned and relaxed. He could just picture his Eileen shepherding the Lady Fenice gently but irresistibly out the door.Taking a breath, he stepped back, bumped against a chest, and knocked a wooden basin onto the stone floor. It made an impressive clatter as it bounced.

“Aha! I knew it!” shrieked a delighted voice, and a moment later the bedroom door had been thrown open and Terence looked into the eyes of a pretty yellowhaired girl in a sumptuous silk dress. “I was right!” she exclaimed. “Secret messages!”

Terence avoided Eileen’s eyes and cast about desperately for something to say. Nothing came to him.

“He sends his squire to you with love messages!” Fenice said. “Me, I haff seen this squire, and I know!” She turned back to Eileen and said, “You and Sir Gavain are very sly, yes? But you may trust me! I will say nothing! Oh, it is so romantic!”

With that, Lady Fenice swished away. Eileen looked steadily at Terence for a long second. “Oh, marvelous. Terence, the uncanny woodsman who can creep through the densest of shrubbery without a sound! Can’t make it across a blinking bedroom, can you?”

“I am, er, better in the woods,” Terence admitted. “And now she’s off telling everyone about my love for Gawain.”

“She said she would tell no one,” Terence pointed out.

Eileen shook her head sadly. “You weren’t listening. What she really said was ‘I can’t wait to tell everyone I meet.’”

“That’s what she said?”

“Of course. Soon the whole court will think I’ve had a long-standing affair with Gawain.”

“Well, at least you both have good taste,” Terence said.

“Shut up, my love.”

That evening King Arthur was hosting a state dinner for his guests from the Holy Roman Empire. In recent years, state dinners had become the most frequent event at court.When alone in Gawain’s chambers, with those he trusted, Sir Kai would often complain about such affairs. “When I started out,” he would say, “I organized armies and planned for battles. Now I spend my time making sure that the linens are clean for the banquet tables.”And if anyone suggested to him that it was the price of peace, Sir Kai would reply, “Not sure it’s worth it.”

Having no plausible excuse to skip the banquet, Gawain went, which meant that Terence was there as well, standing correctly behind his knight’s chair. He didn’t mind. He, at least, could move about the room and stretch his legs. This evening, as dinner entertainment, the guests from the continent offered their very own minstrel—a spindly fellow named Gottfried—to sing a song of his own composition.After apologizing to all for his English, which actually was excellent, the minstrel launched into the tale of Sir Tristram de Liones and his adulterous love affair withQueen Iseult, wife of King Mark of Cornwall. Gottfried played it up in the best courtly tradition, praising the purity of the pairs love and treating King Mark as a jealous buffoon. Never once did he hint that King Mark might have had reason to be angry about his wife’s love affair with another. Terence decided that this would be a good time to stretch his legs, and he casually made his way to the kitchens.

He had been there only a few seconds when the doors opened again and he was joined by one of King Arthur’s knights, Sir Dinadan. “Is the dinner over?” askedTerence, grinning.

Sir Dinadan smiled back, ruefully. “I couldn’t stomach it,” he admitted. “Even leaving aside that this Gottfried has no touch for his instrument—he plays the lyre like he’s currying a horse—I just can’t sit still and hearTristram and Iseult treated as tragic heroes instead of the selfish lackwits that they really were.”

Terence’s eyes rested on Dinadan’s face. “Don’t I remember hearing . . . you were there, weren’t you?”

Dinadan nodded. “I saw them die, and there was nothing noble or romantic about it. It was stupid and pointless.” Dinadan made a quick head motion as if to shake off a fly, then crossed through the kitchen and went out the far door. Terence watched him thoughtfully. When Dinadan had first arrived at Camelot, a callow youth not knowing whether he wanted to be a knight or a minstrel, Terence had not thought much of him, but in late years he had reconsidered that opinion. At any rate, he felt a bond of sympathy with anyone who lived in one world but really belonged in another.

Gottried finished his maudlin poem, to loud cheers from the younger knights and courtiers and polite applause from the older ones, and Terence returned to his place behind Gawain, who whispered to him, “Coward!” Terence grinned but didn’t answer.

As the third course was concluding, a diversion broke the predictable monotony of the state dinner. A guard hurried into the hall, spoke privately with King Arthur for several seconds, then trotted away. After a moment, Arthur and Queen Guinevere rose to their feet. “My friends, I apologize for the interruption, but we have just received word that a dear friend has arrived at the court, and we must leave you for a moment.” He smiled to the party from the Holy Roman Empire and said, “We shall not be gone long. Indeed, I hope to persuade our guest to join our dinner.”

A buzz of whispers began as soon as King Arthur and Queen Guinevere were gone. Terence exchanged a glance with Gawain, but neither joined in the speculation. They would be told who this guest was when the king was ready. Sure enough, a minute later, the king and queen returned, with their guest between them. She was a young lady with reddish blond hair and a firm step. Terence smiled with genuine pleasure.

“My lords and ladies,” King Arthur announced. “I present to you the Lady Sarah of Milrick.” The king needed to say no more. Everyone at Camelot— and, from their awed expressions, even those from the Holy Roman Empire—had heard of Lady Sarah. Only a few years had passed since she, aided by Sir Lancelot, had rescued Queen Guinevere from a knight who had kidnapped her, a certain Sir Meliagant. Since then, Lady Sarah had lived quietly in the small castle that King Arthur had given her and had not been to Camelot, but Terence and Gawain had ridden with her for a time on that adventure and knew her very well.
From the king’s table, Sir Lancelot rose to his feet and crossed the hall to Lady Sarah. “My lady,” he said reverently, kneeling at her feet.

Lady Sarah suppressed a smile. “Oh, get up, Lancelot. It’s good to see you again, too.” She stood in the center of the hall, clad in her dusty traveling clothes, and gazed around the brilliantly decorated room filled with richly clothed courtiers and foreign dignitaries. “Forgive me for interrupting your dinner,” she said, “but I am hungry.”QueenGuinevere took her arm and began leading her to the head table, but as they passed by Sir Gawain’s seat, Lady Sarah looked intently into Terence’s eyes and mouthed the words, “Can we talk?”

Until the contingent from the Holy Roman Empire left, there were no available guest rooms at Camelot, which Terence used to his advantage. By strolling among the tables during the dinner, dropping a word in Kai’s ear and whispering for a moment with Eileen, he saw to it that Sarah was assigned to stay with Eileen during her time at Camelot. Having arranged that, it was easy for him simply to drop in on Eileen after dinner, once he was sure that Sarah was there. Sarah and Eileen were sitting by the fire when he swung through the open window, and Sarah gave a start. “Lud!” she exclaimed. “Does he often do that?”

“No manners at all,” Eileen said without looking up from her embroidery.

Sarah glanced curiously at Eileen, then at Terence. Terence said, “It’s good to see you again, my lady. You’re looking well. Older, but well.”

“And you look exactly the same,” Sarah said frankly.

“He never ages,” Eileen commented, setting a tiny stitch. “It’s infuriating.”

“And how about our mutual friends? Lady Charis?” Terence went on. “I trust she’s well? And Ariel?”

Sarah frowned. “Charis is fine,” she said. “I haven’t seen Ariel in months.”

Terence allowed nothing to show, but his heart sank. Ariel was from theWorld of Faeries.

“That’s what brought me here,” Sarah continued. “Ariel used to drop in every week or two, and then about six months ago, her visits stopped.” Eileen looked up from her stitching, met Terence’s eyes, then looked down again. Sarah went on, “I was concerned, but I didn’t want to overreact and get all worried over nothing.”

“I know just what you mean,”Terence said.

“Then someone came to me and gave me a message for you.”

“Someone?”

Sarah hesitated, glancing quickly at Eileen. “I was told to tell no one but you,” she said.

“Who told you that?”

Sarah considered this. “Well, she didn’t say I wasn’t to identify her. It was Lady Morgan.”

Terence nodded. Morgan Le Fay was another of Gawain’s aunts, an enchantress like her malevolent sister Morgause, but not as dependably wicked. “I see,” Terence said. “Well, you can take my word for it that you may trust Eileen.”

“Still . . .” Sarah said.

“If it makes any difference, let me assure you that whatever you tell me in private, I will certainly tell Eileen. So why not save time and tell us both?”

Sarah looked between the two one more time, a faint smile on her lips, then shrugged. “All right. She said to tell you that it has started again, and that this time there would be no help from your world.”

She paused, and Terence asked, “Is that it?”

“No, but what does that much mean?”

“It means,” Terence said, “that Morgause the Enchantress has begun yet another plot to destroy Arthur.”

“That’s what I thought. She was the one behind the queen’s abduction, wasn’t she? And when she says there will be no help from your world, that means the faery world, doesn’t it?” Terence nodded. “Why not?”

“I haven’t any idea.”

Sarah frowned. “How disappointing,” she said. “I had come to think that you knew everything.”

“A lot of people think that,” Eileen said. “Odd, isn’t it?”

“What else did Morgan tell you?”

“She said that this time the threat would come through pretense and falsehood. And that’s it. Oh, except that she said that you’re to trust no one.”

Terence nodded. “Yes,” he said. “Morgan isn’t very trustworthy herself, so she has trouble understanding the concept of trust. But I don’t choose to live like that.” He pursed his lips and thought for a moment. “Well, that doesn’t help much, but at least it confirms what I’ve been feeling.Thank you, Sarah.”

He fell again into a reverie, so that he was only vaguely aware of Eileen asking calmly, “Do you make a long stay at Camelot, Sarah?”

“I should like to stay for a while, anyway,” Sarah replied, “but I don’t want to put you out.”

“Oh, it’s no trouble. My rooms are quite large enough for two people.”

Sarah looked puzzled. “Two people? You mean you usually live here alone?”

“Yes,” Eileen replied. “Had you heard otherwise?”

“No, but . . .”

“But what?”

Sarah took a breath. “I’m probably breaking some important rule of courtly etiquette that I never learned correctly, but I never understood why it’s sometimes ill manners to say out loud what’s obvious.” She looked at Eileen, then at Terence, then back at Eileen. “I assumed that you two were married.”

Terence and Eileen both stared at her, but neither spoke.

“It’s as plain as day. I’ve never seen two people who fit together as perfectly and who were as comfortable with each other as you two are.You love each other. If you aren’t married, then it’s a crying shame. Are you?”

“Yes,” Terence said.

“In a manner of speaking,” added Eileen. “Mostly.”

“What does that mean?” demanded Sarah. “I didn’t think you could be mostly married.”

Terence hesitated, not really wanting to tell Sarah what was known only to the two of them and Gawain, but he had every reason to trust Sarah. Besides, he had just declared in front of her that he refused to be as untrusting as Morgan, so he said, “About fifteen years ago—”

“Sixteen,” corrected Eileen, who had gone back to her embroidery.

“Sixteen, then. Eileen and I had a private sort of wedding ceremony. It was just a few months after Gawain and I brought her to court.We slipped out on our own and went to a religious man that I knew,named Trevisant, and with him as a witness we promised to love each other faithfully.”

“Then you’re married,” Sarah said.

“Sort of,” Eileen said.

“It’s not exactly official,” Terence admitted.

“Why not?”

“Well, Trevisant was a holy man, as I said, but he wasn’t a priest.”

“Oh.” Sarah seemed to digest this for amoment. “So why not go to a real priest?Why the secrecy?”

“We went toTrevisant because he was the man who raised me,” Terence said. Then he grinned ruefully. “Also because I knew that he would forget it within a few days. Trevisant was peculiar that way. You see, I’m a squire—and as far as the court is aware, a squire of unknown parentage. Lady Eileen is a noblewoman from one of the oldest families in England. For her to marry so far beneath herself would ruin her socially.”

Sarah glanced at Eileen. “Does that matter to you?”

Eileen smiled briefly. “At the time it did, a little. At any rate, I agreed to the plan readily enough. It doesn’t seem so important anymore, but it still matters to Terence.”

“And so,” Sarah said, “for fifteen years—”

“Sixteen,” said Eileen.

“Sixteen, I mean. For sixteen years, you’ve been married, sort of, mostly, but have told no one.”

“Gawain knows,” Terence said. “But, yes, that’s essentially it.”

“Haven’t you ever thought about going ahead and making it official?”

This time Eileen replied. “Yes, of course we have. But the longer the current arrangement goes on, the harder that becomes.To get married now, suddenly, after years of pretending to be only casual friends, would give rise to all sorts of speculation as to what had really been going on all that time.And if we explained that we hadn’t been having an affair, that we had really been married—”

“Mostly,” Terence qualified.

“Sort of,” added Sarah.

Eileen ignored them. “As I say, if we told people we’d been married all along, then we would have to explain why we’d deceived them. Awkward.”

“And besides,” Terence said, “we are, as you say, comfortable together. There hasn’t really seemed to be a need to change.”

Sarah looked dubious, but Terence reminded himself that she was still young.Young people sometimes place excessive value on external forms and ceremonies, he remembered, so he let it go.

“And now, Terence,” Eileen said, breaking into his thoughts, “you go report to Gawain and Arthur and whoever you feel should know Sarah’s news.We ladies will go to bed. It really isn’t seemly for a man to be in our quarters so late, you know.We’re virtuous ladies, we are.”

“Virtuous?” repeated Terence.

“Sort of,” said Eileen.

“Mostly,” added Sarah.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Eliza K.
fantabulous

4 of 4 people found the following review helpful.
A New Retelling of Old Tales
By Sunny Sewing Honeybee
Rather than being the tale of Arthur or Arthur's knights, here is the tale of one of Arthur's knight's squires, a man by the name of Terence. He's anything but an ordinary squire, being part faery and secretly married to a woman of higher bearing. Cautious and observant, Terence is alarmed by the arrival of a mystery man.

Arthurian legend purists would likely find fault with this story. However, the essence of most characters remains the same. For example, Sir Ka(y/i) (Kai here) is wrought with negativity as usual; King Arthur is kind and just. What happens to Sir Bedivere, however, threw me for a loop. That being said, there is a problem in that the general reader's knowledge of the characters makes certain aspects less of a surprise, especially all of the facts surrounding a young man who shows up in King Arthur's court by the name of Mordred. Because Arthurian legend is so well known, the reader knows Mordred's true identity and cannot help but know things that the characters in the book do not. For example, I already knew who Mordred's parents are and suspected him of any crime committed. Mordred lies about so much in the course of the book that it perhaps would have helped the suspense level if he had also lied about his name.

_The Squire's Quest_ is divided into two tales, connected mostly by Terence being present in both. The tales are about courtly love. In the first and most lighthearted half, Arthur's cousin Lady Sarah is a "victim" of its absurdity. She's an especially fun character, quick on her feet and ready with a tart response to almost any comment. The visiting Alexander of Constantinople falls for her immediately, and begins to attempt to "woo" her through the courtly method he has heard about in song. Characters Cliges and Fenice, in the second half, are victims of courtly love's ridiculous idealism.

Much time elapses in the story due to Terence engaging in a lot of travel; perhaps the span of about six months. Because of this, there are many instances of narrative fast-forwarding that can be difficult to figure out. Still, it's an interesting retelling of a couple less well known Arthurian legends with a unique and new character at the center.

1 of 1 people found the following review helpful.
Perfect Continuation of Squire Terence's Story
By The Three Woods
If you are looking for a book that will whisk you away into a whole other world, this book will do that the instant you start reading it. "The Squire's Quest" picks up where "The Squire's Tale" ended. Terence (who is half-human, half-faerie) and his lady love are married, albeit secretly, and Terence is still the squire of Sir Gawain. It is the time of King Arthur and the Knights of the Round Table. Mordred steps into the scene and things start going a bit wrong. A knight is murdered and a King soon follows. Distrust begins to weave it's way into the lives of many. Two worlds are separated without any indication of what is going on. Love is found and lost again and unrequited love flourishes.

The story begins with a young man entering King Arthur's court requesting to be trained as a knight. It is denied him, but we discover that this young man is King Arthur's son from a chance meeting with a young woman in the woods. Alexander The Great makes an appearance in the story and thus we travel to Greece for some love, laughter, sadness and mystery. Thinking Mordred is more than what he claims to be, Squire Terence and Alexander's adviser follow him discreetly as they try to unravel treachery in the Court of King Arthur. On their journey, they find a "bridge" to another world (Hades) and soon discover the plot to end King Arthur's reign over Camelot forever. Will Mordred's plan to destroy King Arthur succeed? Or will Squire Terence squelch yet another attempt to destroy the human world? You'll have to read to find out.

One mini story inside the story involves two lovers, Alis and Fenice. I absolutely love how Gerald Morris wove their story into Terence's story. These two characters will make you laugh, cry... and want to squash them like bugs. There is a little aside at the end of the story that tells you why he wove their story into Terence's. It definitely adds a lot to the entire tale rather than leave you thinking "what was that about?" This book is great for all ages. There is a war, intrigue, love, lust and murder, but nothing alarming that would make me want to caution parents. This is yet another book that will be added to both my home library and school library.

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The Best American Sports Writing 2010From Mariner Books

Well established as the premier sports anthology, The Best American Sports Writing brings together the finest writing on sports to appear in the past year. Edited by the award-winning Peter Gammons, the pieces in this volume embrace the world of sports in all its drama, humanity, and excitement.

  • Sales Rank: #936907 in Books
  • Published on: 2010-10-05
  • Released on: 2016-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.13" w x 5.50" l, .97 pounds
  • Binding: Paperback
  • 448 pages

From Booklist
Venerable (and venerated) baseball writer Gammons makes some fine picks in this twentieth annual installment of the excellent series. The 26 pieces include Thomas Lake’s inspiring story of two Pacific Northwest college softball players who carried an opponent around the bases after she’d hurt herself hitting her only career home run. There’s a disturbing look at the brain trauma and subsequent dementia suffered too frequently by NFL players. Michael Lewis’ perceptive New Yorker profile of Houston’s Shane Battier, defender extraordinaire against the Lakers’ Kobe Bryant, is also reprised here. And the Boston Globe’s Bob Ryan and the Los Angeles Times’ Bill Plaschke, who appear on ESPN’s Around the Horn, show they’re not only about sound bites by delivering strong pieces on racial equality in the NBA and on a veteran MLB scout, respectively. No reason not to add this installment to a shelf beside its predecessors. --Alan Moores

Review
"Memorable reading...A must for all sports collections." (Booklist )

About the Author
GLENN STOUT is the author of Young Woman and the Sea, Red Sox Century, Yankees Century, The Dodgers, and The Cubs. He has been the editor of The Best American Sports Writing since its inception.  His next book, Fenway 1912, Fenway Park's first season, will appear next year.

Most helpful customer reviews

13 of 14 people found the following review helpful.
An extraordinary collection of articles
By Barry Sparks
They don't call this annual collection of articles "The Best American Sports Writing" for nothing.

The articles combine great writing with sports topics. But as series editor Glenn Stout writes, the articles are "about sports, but they are so well written the subject hardly matters."

The subjects include golf, football, baseball, basketball, tennis, skiing, ice hockey, bicycling and running. The magazines that originally published the 26 articles include GQ, Outside, Sports Illustrated, Bicycling, Esquire, the New York Times Magazine and others.

Guest editor Peter Gammons explains the appeal of the articles in the introduction. "This collection is about sports, which means it's about the human race, its drive and passion, strengths and weaknesses, rises and falls, and the damages caused by the need for greatness."

He adds, "Athletes are people. People not unlike us. They are human. And that's what makes them more interesting."

While I didn't think I would read all 26 articles, I did. It's a testament to the high quality of writing and subject matter.

I thought the three most memorable articles were the ones about football players and concussions--"Offensive Play" by Malcolm Gladwell, "This is Ted Johnson's Brain" by Robert Sanchez and "This Is Your Brain on Football," by Jeanne Marie Laskas.

Whether you enjoy great writing, sports or both, this annual collection is well worth your time.

6 of 6 people found the following review helpful.
Always educational and interesting
By PJ Coldren
I have found this series, in the past, to be entertaining as well as educational. I always learn something about a sport, sometimes a sport I know a bit about, usually about one I've never really been interested in. 2010 is no exception. I did quit reading about the football and brain injury stuff about mid-way through the third piece about it. It's certainly worth writing about, on a multitude of levels, but I didn't think this anthology needed as much about it as there was. One of the fringe benefits was the introduction by Glenn Stout. His comments about previous entries in the series motivated me to track down copies of several previous books.

5 of 5 people found the following review helpful.
Sports Writing at Its Best
By Alan L. Chase
When I saw that Peter Gammons was the guest editor for "The Best American Sports Writing - 2010," I knew I had to read this compilation of the best of the best. I have long been a fan of Gammons. His writing is always intriguing, and the personal conversations I have had with him over the years have always yielded nuggets of gold and insight. So, I knew his editorial eye would pick only those sports writing pieces worth reading.

As I made my way around the base paths of this 400 page compendium, it also became clear that Gammons had an agenda in selecting the pieces for this year's collection; several of the articles tackle the topic of the NFL's intransigence in addressing the issue of post-concussion syndrome. Malcolm Gladwell's piece, "Offensive Play, addresses the issue, Skip Hollansworth's article "(Still) Life" deals with a devastating football injury. In addition, we have Jeanne Marie Laskas writing "This Is Your Brain on Football," and Robert Sanchez offering "This Is Ted Johnson's Brain." Finally, Dan Le Betard gives us "Life Throws Bernie Kosar for a Loss," another tale of a failed ex-NFL player.

The collection is not all doom and gloom. There is a fascinating story about Dick Fosbury, the Olympic champion for the Mexico City Olympics who introduced the world to the "Fosbury Flop." The article is entitled "The Revolutionary," by Richard Hoffer.

Having grown up watching Bobby Orr's magic show on ice, I was intrigued with the two ways that Orr's presence is felt in this book. There is S.L. Price's article, "The Ever Elusive, Always Inscrutable, and Still Incomparable Booby Orr." In his Introduction, Peter Gammons offers this poignant vignette from his own personal encounter with Orr. Gammons was rehabilitating from a stroke that he suffered a few years ago.

"We someitmes lose sight of the fact that the men and women who perform these feats are really like us. They are human. How many millions of copies of the picture of Bobby Orr flying through the air have been sold? That is the seen performing genius of an artist. Yet when I was transferred from Brigham and Women's Hospital to a room in the Rehabilitation Hospital of the Cape and Islands as I recovered from a severe aneurysm, I found Bobby Orr, being who he is, lying on my bed . . . S.L. Price gets Bobby Orr right: the greatest player who ever put on skates, the man who was sitting on a sick man's hospital bed, ready to greet him and help jump-start his rehab with his smile; the man who sits in the stands at Cape Cod League baseball games and thanks every kid who asks him for his autograph. Every one." (Page xxvi, xxiii)

This holiday season, treat yourself or another sports fan to the gift of this wonderful collection.

Enjoy.

Al

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Rabu, 27 Januari 2016

!! PDF Download The American Pageant: Volume I: To 1877, by David M. Kennedy, Lizabeth Cohen, Thomas Bailey

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The American Pageant: Volume I: To 1877, by David M. Kennedy, Lizabeth Cohen, Thomas Bailey

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The American Pageant: Volume I: To 1877, by David M. Kennedy, Lizabeth Cohen, Thomas Bailey

THE AMERICAN PAGEANT enjoys a reputation as one of the most popular, effective, and entertaining texts in American history. The colorful anecdotes, first-person quotations, and trademark wit bring American history to life. The 14th edition places an even greater emphasis on the global context of American history through a new feature, "Thinking Globally." Revised primary source features excite student interest and help them learn to examine documents the way historians do. Additional pedagogical features make THE AMERICAN PAGEANT accessible to students: part openers and chapter-ending chronologies provide a context for the major periods in American history, while other features present primary sources, scholarly debates, and key historical figures for analysis.

  • Sales Rank: #698176 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2008-12-25
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.30" w x 9.90" l, 2.60 pounds
  • Binding: Paperback
  • 648 pages
Features
  • Used Book in Good Condition

About the Author
David M. Kennedy received his Ph.D. from Yale University. He is the Donald J. McLachlan Professor of History Emeritus and co-director of The Bill Lane Center for the Study of the North American West at Stanford University. His first book, BIRTH CONTROL IN AMERICA: THE CAREER OF MARGARET SANGER, was honored with both the Bancroft Prize and the John Gilmary Shea Prize. He has won numerous teaching awards at Stanford, where he teaches both undergraduate and graduate courses in American political, diplomatic, intellectual, and social history, and in American literature. Dr. Kennedy published a volume in the OXFORD HISTORY OF THE UNITED STATES, FREEDOM FROM FEAR: THE AMERICAN PEOPLE IN DEPRESSION AND WAR, 1929--1945, for which he was honored with the 2000 Pulitzer Prize. He is an elected fellow of the American Academy of Arts and Sciences and of the American Philosophical Society, and he served from 2002--2011 on the board of the Pulitzer Prizes.

Lizabeth Cohen received her Ph.D. from the University of California, Berkeley. She is the Howard Mumford Jones Professor of American Studies in the history department and the Dean of the Radcliffe Institute for Advanced Study at Harvard University. In 2007--2008 she was the Harmsworth Professor of American History at Oxford University. Previously, she taught at New York University and Carnegie Mellon University. The author of many articles and essays, Dr. Cohen was a Pulitzer Prize finalist for her first book, MAKING A NEW DEAL: INDUSTRIAL WORKERS IN CHICAGO, 1919--1939, for which she later won the Bancroft Prize and the Philip Taft Labor History Award. She authored A CONSUMERS' REPUBLIC: THE POLITICS OF MASS CONSUMPTION IN POSTWAR AMERICA (2003), and is currently writing SAVING AMERICA'S CITIES: ED LOGUE AND THE STRUGGLE TO RENEW URBAN AMERICA IN THE SUBURBAN AGE, on urban renewal in American cities after World War II. At Harvard, she has taught courses in 20th century American history, with particular attention to the intersection of social and cultural life and politics. She now oversees the Radcliffe Institute, a major center for scholarly research, creative arts, and public programs.

Thomas A. Bailey (1903-1983) taught history at his alma mater, Stanford University, for nearly forty years. Long regarded as one of the nation's premier historians of American diplomacy, he was honored by his colleagues in 1968 with election to the presidencies of both the Organization of American Historians and the Society for Historians of American Foreign Relations. He was the author, editor, or co-editor of some twenty-books, but the work in which he took the most pride was The American Pageant through which, he liked to say, he had taught American history to several million students.

Most helpful customer reviews

3 of 3 people found the following review helpful.
"Entertaining" does not always mean "good"
By R. Bullock
This is perhaps one of the most confusing textbooks I have ever been assigned. There are paragraphs that seem to have more unnecessary adjectives than necessary nouns, and the authors have a strange preoccupation with rhymes and songs. Most importantly, the writing is distracted, sometimes to the point of being confusing. For instance, the discussion of the Lincoln-Douglas debates in chapter 20 notes that "Lincoln nearly impaled his opponent [Stephen Douglas] on the horns of a dilemma [the Freeport question]." Given the position of this statement near the end of a paragraph, I should expect a discussion about this impalement somewhere in the next paragraph, right? But the text doesn't discuss how Douglas's response was a problem until three paragraphs later. Between those two points lies discussion of Douglas's response (at length, consuming an entire paragraph), his victory in the Senate race, gerrymandering in Illinois, and the fact that Lincoln might have been treating the whole thing as a PR stunt for his presidential race two years later. It should come as no surprise that it took me three readings to connect the dots.

Parts of the text that are not dependent on chronology are generally readable. Primarily, these are the chapters about culture and economics, of which there is at least one per unit. However, once time becomes important, the text gets much more jumbled and less comprehensible. The discussions of military campaigns are especially bad. It appears that the writers are not used to presenting chronological information, or (more likely) they judge chronology as less important than the substance of the events, political debates, and concepts. This is a fair judgement to make for a freshman-level history course, but the writers should realize that not all instructors think the same way, and the feeble timeline given at the end of each chapter may not be enough.

Overall, this text does not fit well with my learning style. It's stuffed to the gills with filler (the aforementioned adjectives and rhymes, none of which seem to add anything), highly non-linear, very unfocused, and generally confusing. I will grant that it's entertaining, but what's more important is that I can learn the material, and this text makes that unnecessarily hard.

0 of 0 people found the following review helpful.
great textbook
By me
I got it for my son since I was taking history in school. I rent mine but I bought this one for him. I hope he gets tired of it and sends it back it is a great textbook with American history.

0 of 0 people found the following review helpful.
Wonderful introduction to American history.
By Andrés R. L.
From the pithy text, to the expansive diagrams and pictures, to the superb story being told, I cannot get enough of this history textbook. Best on the market!

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Selasa, 26 Januari 2016

^^ Free PDF The Ballad of Sir Dinadan (The Squire's Tales), by Gerald Morris

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The Ballad of Sir Dinadan (The Squire's Tales), by Gerald Morris

Young Dinadan has no wish to joust or quest or save damsels in distress or do any of the knightly things expected of him. He’d rather be a minstrel, playing his rebec and writing ballads. But he was born to be a knight, and knights, of course, have adventures.
So after his father forces his knighthood upon him, he wanders toward King Arthur’s court, in the company of a misguided young Welsh lad named Culloch. There Dinadan meets Sir Kai and Sir Bedivere, and the three find themselves accompanying Culloch on the worst sort of quest. Along the way, Dinadan writes his own ballads, singing of honor, bravery, loyalty, and courtly love—and becomes a player in the pathetic love story of Tristram and Iseult. He meets the Moorish knight Palomides, the clever but often exasperating Lady Brangienne, and an elvin musician named Sylvanus, along with an unusual collection of recreant knights and dimwitted defenders of chivalry. He learns that while minstrels sing of spectacular heroic deeds, honor is often found in simpler, quieter ways.

  • Sales Rank: #959364 in Books
  • Published on: 2008-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .56" w x 5.13" l, .50 pounds
  • Binding: Paperback
  • 256 pages

From School Library Journal
Grade 5-9-Morris's latest retelling of Arthurian legends introduces a reluctant knight who upholds the noble standards of Camelot in his own way. The likable and unassuming Dinadan, younger brother of the famous Sir Tristram, travels the land, encountering deceptive damsels and foolish knights. His compassion and common sense earn him the respect of many, and his keen wit satirizes the excesses of Arthurian heroism that he observes along the way. The tragic tale of Tristram and Iseult becomes a funny story "about two fools drinking from the wrong flask." Dinadan befriends a would-be knight named Culloch, but can't endure the useless parade of tasks his friend eagerly attempts to win a bride. The humor is accessible; readers don't need to know The Faery Queene to appreciate Dinadan's playful mockery of allegory (or, as he calls it, "saying things by pretending to say something else"). Along with the satire, though, Dinadan succeeds in righting some true wrongs, protecting a young woman he admires, and restoring a deposed king to his throne. Morris's skilled storytelling keeps the tale moving smoothly through various plot strands featuring many characters. The humor ranges from subtle irony to scenes of pure comedy, but never distracts from the engaging plot. Fans of the previous titles or Arthurian legend in general will thoroughly enjoy Sir Dinadan, but it stands on its own as a lighthearted introduction to the period.
Steven Engelfried, Beaverton City Library, OR
Copyright 2003 Reed Business Information, Inc.

From Booklist
Gr. 5-9. As he explains in an appended note, Morris takes characters, plot elements, and magical devices from the legends of England and Wales and reweaves them into a new story about Sir Dinadan, who appeared as a minor character in Malory's Le Morte d'Arthur. After his unlikely knighting by his drunken father, Dinadan travels through Britain and learns that while many knights are noble, some are clearly unworthy of the minstrels' praise. Traditionalists may not care for the reinterpretations of well-known characters: Tristram is foolish and babbling, despite his vow of silence, while his beloved Iseult is simpering and malicious. But readers who enjoy reinterpretations and the many who haven't read the old stories will find Dinadan an appealing protagonist. The Moorish knight Palimides, who befriends Dinadan and accompanies him on his travels, is a brand new addition to the novel. A witty tale of adventure and reflection, this is another rewarding entry in the series that began with The Squire's Tale (1998). Carolyn Phelan
Copyright © American Library Association. All rights reserved

Review
"Fans of the previous titles or Arthurian legend in general will thoroughly enjoy Sir Dinadan, but it stands on its own as a lighthearted introduction to the period." School Library Journal, Starred

“Morris interweaves action with sophisticated, wry humor and deft characterization to bring to life yet another medieval tale.” VOYA (Voice of Youth Advocates)

“A witty tale of adventure and reflection, this is another rewarding entry in the series that began with the Squire’s Tale.” Booklist, ALA

“Morris creates in Dinadan one of his most appealing protagonists. Written in accessible prose and laced with occasional magic, the novel moves at a quick pace and showcases a continually maturing hero.” Horn Book

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Eliza K.
This is probably one of my favorites in this series

12 of 14 people found the following review helpful.
The Ballad of Sir "Dumbledin"
By E. A Solinas
A heroic knight falls in love with the married queen, incurring the wrath of the king. Arthur, Guinevere and Lancelot? No, it's a slightly different Arthurian tale, and one that mainly focuses on the musically-inclined Sir Dinadin, who never wanted to be a knight anyway.
Dinadin has always wanted to be a minstrel (especially since his older brother Tristam is a valiant knight), but his father knights him in a drunken stupor and sends him off. After dispatching the knight of a treacherous damsel, Dinadin joins up with a rather dim Welsh knight, Culloch, and ends up at Arthur's court of Camelot. Then he goes off with Culloch, Kai and Bedivere to do knightly things -- including freeing a sharp-tongued lady-in-waiting called Brangienne and Culloch's attempts to win a rather unattractive princess.
Along the way, Dinadin learns that Brangienne is fleeing Queen Iseult, because she knows that Iseult is in love with Tristam, who is wandering around, having taken a vow of silence and unwilling to shut up about it. He also won't shut up about Iseult, with the result that everybody except her husband knows about them. Dinadin teams up with the noble Moor Palomides (who wants to learn what knights are), as Brangienne's safety is jeopardized, and the not-so-secret affair between Tristam and Iseult comes to a dramatic peak.
Morris takes a skip back in time for this book -- it takes place parallel to "The Squire, His Knight And His Lady" and "The Savage Damsel And the Dwarf," though the overlap is only about two paragraphs long. And he handles this story very well and very deftly -- Dinadin doesn't want to become a knight, and he doesn't really have conventional aptitude for it. He'd rather stay home and play his rebec. But his cleverness and ingenuity are what make him a good knight, above and beyond being able to whack things with a sword.
Dinadin is as likable a hero as Morris has penned before, not your typical knight but a solid and admirable one instead. Palomides serves as a good foil, searching for the English ideal knight and finding it where he doesn't expect to; Brangienne is very like Eileen, very witty and smart. Iseult and Tristam are pretty pitiful, and I'm not just talking about the nauseatingly-named "Love Grotto." Tristam thinks he's nothing without a lady to serve, and Iseult is just... well, she's just a lisping ditz with a crazy husband.
As with all his books, there is plenty of humor in this story, ranging from horribly-written ballads to a magical drinking horn to the worst wedding ceremony in history. (Not to mention Kai repeating the ballad line: "Jug jug witta poo poo") It gets a bit more serious near the end, but overall it's much more lighthearted than Morris's fourth Arthurian tale, "Parsifal's Page."
Fans of Morris will definitely like "The Ballad of Sir Dinadin." (Or Sir Dumbledin... Dimbledum... Dinderlin... oh bugger it...) Giving a new twist on the tale of Iseult and Tristam, Morris lets the spotlight shine on the unlikely and capable Dinadin.

0 of 0 people found the following review helpful.
A little more serious than the rest
By Amazon Customer
This story is still as hilarious as the other four, but over the years (as I've read it again...And again...And again) I realized that, at it's heart, there's a darker story. The antics of Tristram and Iseult are funny enough, but if you look closer, the heartbreak that they wreak is evident. In the scene after Iseult runs away with Tristram for the hundredth time, Dinadan sees King Mark sit on the steps and cry--and you feel so sorry for him, even though you know he's a jerk. The worst
thing, though, is what they do to themselves and the people around them to keep this affair going (Iseult tries to kill her former lady-in-waiting because she knows about the love potion).
However, the book's not depressing. On the contrary, it's fun, witty, and
also makes you think along the way. Read it; especially if you liked the others.

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