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For sixty years, since the birth of United Artists, the studio landscape was unchanged.Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte,who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened.

Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business.We see the clashes between the often otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan.We watch as the studio burns through billions, its rich owners get richer, and everybody else suffers.We see Geffen seducing investors likeMicrosoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is Hollywood, up close, glamorous, and gritty.

 

• Sales Rank: #892941 in Books
• Published on: 2010-05-04
• Released on: 2010-05-04
• Original language: English
• Number of items: 1
• Dimensions: 1.43" h x 6.29" w x 9.08" l, 1.40 pounds
• Binding: Hardcover
• 512 pages

From Booklist
The rise and then the crash and burn of DreamWorks, created by three of the biggest egos in Hollywood—Steven Spielberg, Jeffrey Katzenberg, and David Geffen—is a gripping saga of changing economic times. Wary of corporate inroads and catalyzed by Katzenberg’s troubled departure from Disney, the three had independently come to a point where they wanted to run their own show. In 1994, without even a name for their venture, they announced the formation of a company that would break the mold on corporate ownership of entertainment-making, respecting creativity above all else. Spielberg was coddled and cosseted as the ultimate artiste. Katzenberg, who headed the animation division at Disney, was motivated as much by vengeance against CEO Michael Eisner when he set about luring away Disney’s animators. Billionaire Geffen was looked on as the businessman who would bring together disparate parts of the company. What followed was a clash of multiple cultures and visions, within and outside of DreamWorks. LaPorte, a former film industry reporter for Variety, offers a deliciously detailed look at the trials, triumphs, and fumbles of DreamWorks—from the complicated story behind Shrek, a CGI pioneer, to the courting of stars Nicole Kidman and George Clooney and soothing of Russell Crowe. This unauthorized chronicle of DreamWorks will no doubt seal LaPorte’s status as persona non grata in Hollywood, but readers will love it. --Vanessa Bush

Review

"Want to know how business really works in LaLa Land? Read this book"
--Liz Smith, wowOwow.com

"LaPorte's lenghty narrative is the definitive history of the studio, an achievement of dispassionate reporting in the genre of corporate decline-and-fall...Hollywood, with its penchant for sunny publicity and an obsession for secrecy, is a notoriously difficult business in which to uncover the truth...Most reporters are not up to the task. LaPorte is... The Men Who Would Be King will be required reading for anyone interested in the story of DreamWorks."
--L.A. Times

"A thrilling ride... The bumbling and infighting are just too good, and sad, to resist... We're privy to some serious dirt. LaPorte has clearly done her homework... The sheer scope and depth of The Men Who Would Be King impresses. No hissy fit escapes LaPorte's gaze. Every time Geffen has a meltdown or A-list stars like Russell Crowe throw trantrums, LaPorte is there to capture it."
--Boston Globe

"Daily Beast contributor and former Variety reporter LaPorte penetrates the mysterious inner workings of DreamWorks. . . . LaPorte marshals an awesome body of research to vividly depict DreamWorks’ confused identity, the personality conflicts and ego clashes that raged behind the company’s friendly, low-key exterior . . . Behind-the-scenes glimpses at the productions of such signature DreamWorks films as American Beauty and Gladiator are wonderfully diverting Hollywood dirt, but the heart of the story is simple human ambition. Stories of Katzenberg’s toxic and litigious relationship with former boss and Disney honcho Michael Eisner, Geffen’s mission to destroy agent Michael Ovitz and the rivalry between DreamWorks Animation and Disney’s Pixar are fascinating for their insights into the ways petty personal issues are expressed in multibillion-dollar transactions. In Hollywood, it seems, business is always personal. A gripping account of money, ambition and the movies . . . same as it ever was."
—Kirkus

"Nicole LaPorte has found a big story—this is the great part—that is even bigger than first appears, the story of DreamWorks being the story of modern Hollywood, which is the dream life of the world. She has climbed into the engine room with pen and notebook and been careful to record the details and dirt, then turned all that into music, the result being a gutsy saga filled with larger than life characters and incident. Read this book only if you want to know what makes our country, as Leonard Cohen sang, the cradle of the best and the worst."
—Rich Cohen, author of Tough Jews: Fathers, Sons, and Gangster Dreams and Lake Effect


"Power, grandiosity, arrogance, and incomprehensible ego. It’s Hollywood, of course, and Nicole LaPorte’s exhaustive non-fiction narrative of DreamWorks and the bizarre triumvirate of Spielberg, Geffen, and Katzenberg is stunning. The book reads like a novel and the reporting is impeccable. If you pick up one book about Hollywood, make it this one."
—Buzz Bissinger, author of Friday Night Lights and former coproducer of NYPD Blue


"Here is the brilliant, brutal, misguided, narcissistic history of DreamWorks in all its glory, with David Geffen, Jeffrey Katzenberg, and Steven Spielberg working unscripted, without handlers or publicists dimming the lights to a rosy glow. Nicole LaPorte has written a lively, cunning studio history that should be required reading for all students of modern Hollywood."
—Mimi Swartz, author of Power Failure: The Inside Story of the Collapse of Enron


"This book has all the right elements: deep-dish research, attitude to burn, page-turning readability, and a great subject. It belongs up there with the classics of Hollywood reportage."
—Peter Biskind, author of Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood and Star: How Warren Beatty Seduced America

"Nicole LaPorte may never be able to eat lunch in Hollywood again, but her potential loss is our gain: The Men Who Would Be King is a riveting and honest portrayal of three of the most powerful men in the entertainment industry. I couldn't put it down and neither will you."
—William Cohan, author of House of Cards

From the Inside Flap
For sixty years, through Oscars and earthquakes, the lineup of Hollywood’s majors varied little, with Universal, Warner Bros., Fox, and Paramount heading the list. Then came the circus maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave us The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of The Godfather.

 Nicole LaPorte reveals for the first time the delicious truth of what happened behind the scenes. From a previously unequaled vantage, we see the slightly otherworldly Spielberg, so rich and famous that the borders of reality, much less his admiring new partners, can barely contain him. As Steven spends, offers lucrative contracts to friends, and makes blockbusters for other companies, Katzenberg attempts to create an animation kingdom that will become the new company’s cash cow and annihilate his old rivals at Disney. (His shock comes when the one movie he does not micromanage — the tale of a green ogre called Shrek — becomes a four-billion-dollar franchise while his own projects tank one by one.) After he’s charmed investors (including Microsoft’s Paul Allen), Geffen hovers above the fray in his Gulfstream IV, occasionally jetting in to zap enemies who violate his rules of business, a code less flexible than omerta.[add accent grave to a]

There are clashes between Spielberg’s blue-jeaned troops and Katzenberg’s steely, Disney-trained warriors, and the seduction of stars such as George Clooney and Nicole Kidman (who can’t believe the mess made of DreamWorks’ first movie, The Peacemaker). LaPorte shows us the making of Oscar-winning triumphs, including Saving Private Ryan, American Beauty, and Gladiator, a box-office crowd pleaser whose star, Russell Crowe, threatened homicide in bizarre late-night phone tirades. Behind the high jinks, however, is the very serious business of producing films, among America’s biggest exports. Yet we watch as the partners alternately obsess and ignore their company as it burns through billions. We see Geffen showing his mettle against superagent Michael Ovitz, and staging a fireworks display during the negotiations that ultimately took DreamWorks to Paramount and then to Disney.

Here are three larger-than-life personalities, moguls that hark back to the days of Mayer and Goldwyn, making moves that remind us that in Hollywood, big business calls for memorable performances.

Most helpful customer reviews

23 of 24 people found the following review helpful.
An excellent and concise view of the rise and fall of what seemed the perfect company
By Michael A. Weyer
It's amazed me that Dreamworks hasn't spawned more books. The only one before was "The Dream Team" which was rather short. But this more than makes up for it as Nicole Laporte does an excellent job on the behind-the-scenes struggles of what seemed the perfect talent merger. She shows how right off the bat, Giffin was above things, only coming in to supply funds when needed while Spielberg's vision as a filmmaker didn't translate as well to the business side of things.

It's Katzenberg who's the real focus and Laporte does a great job showing the key problem: The man was far more interested in beating out Disney and sticking it to Michael Eisner than really doing his best to make Dreamworks successful. He became obsessed with "out Disneying Disney" in animation, backing flops like "Road to El Dorado" and the brilliant irony is that the one movie he didn't micromanage would be the company's biggest hit "Shrek." Laporte points at 2003's "Sinbad" as a turning point for the company as Katzenberg never really recovered from the animated movie he'd been championing becoming a total bomb.

While she can be a bit too in-depth (did we really need eight pages on "Mousehunt?") Laporte does a great job detailing the company's successes and failures. She moves from how "Gladiator" survived a chaotic production to become a huge hit to how the company poured millions into "Almost Famous" only to see it die at the box office. She nails their problems like Katzenberg producing way too many copies of "Shrek 2" on DVD among other spending items. And it's terrific reading her detailing the Dreamworks/Miramax feud that would become war at Oscar time.

The book details more of the final years of the company and how this once-powerhouse became a shell of itself sold to other studios right before the economic crunch. It's an incredibly detailed book that shines new light on the personalities involved and shows how even the biggest dreamers have a hard time dealing with the reality of Hollwyood. A must-have for any movie-making buff.

10 of 11 people found the following review helpful.
Gripping
By Anna David
This book somehow manages to get in the minds and psyches of three of the most accomplished men Hollywood has ever seen and explain, down to the color of the curtains in the room when they decided to go into business together, every last riveting detail. Books like these tend to skim the surface, take the easy way out, or just read like they're written by someone who's very aware of how they'll be perceived by the subjects. Nicole LaPorte seems out to both understand and explain what happened, mis-step by mis-step and clearly isn't interested in pleasing these men who would be king.

Even people who aren't interested in Tinseltown shenanigans would find this compelling: a fascinating tale of how sometimes the best intentions, when mixed with some other less-than-stellar intentions, can cause a "sure thing" to come toppling down.

10 of 12 people found the following review helpful.
Ego
By J. Green
In 1994 the first new Hollywood studio in 60 years announced its beginning with more than just the usual fanfare. Steven Spielberg, the genius director; Jeffrey Katzenberg, the man who put Disney animation back in business with movies like The Lion King; and David Geffen, the billionaire music mogul, joined forces to create Dreamworks SKG. It was the biggest conglomeration of talent and industry power since anyone could remember. But despite such huge blockbusters and award-winning films as "Saving Private Ryan," "American Beauty," and "Shrek," Dreamworks was sold in 2006 and S, K, and G went their separate ways. In addition to the successes, there had been a pile of projects that had bombed, often spectacularly.

Nicole LaPorte has burned plenty of bridges and written an inside account of the biggest egos in the entertainment industry (understandably, few of her sources are named). Katzenberg brought them together after his firing at Disney in an attempt to regain his pride. Spielberg couldn't resist making one blockbuster after another - for other studios. And Geffen was only interested in the fight and the careers he could destroy. Thrown into the mix are the biggest movers and shakers in Hollywood - Eisner, Ovitz, Clooney, Cruise, Hanks, Crowe, etc., etc., etc. - and their petulant needs to constantly be told how wonderful they are.

Hollywood has been tremendously influential in the social history of America, and I've enjoyed biographies of some of the giants like Hitchcock and Disney. This, however, is the flip side - the trashy business end of the glamorous and flashy facade. And those who eagerly anticipate their weekly fill of People Magazine, Variety, and Entertainment Weekly will gobble this book up and want more. I just felt the need to wash my hands. The book starts out well - lots of beautiful celebrities and juicy inside information - but I found myself losing interest less than halfway through (I usually read on my lunch break and when I start heading back in less than my usual hour, it's not a good sign). It's interesting enough to finish, but I got tired of hearing of every announcement that sent "a shockwave rolling through Hollywood" and all the men who were reduced to tears by someone's tantrums. I must admit however, since I live in Los Angeles it was rather eye-opening. (3.5 stars)

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• Sales Rank: #4690843 in Books
• Published on: 2007-10-23
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x .71" w x 8.69" l, 2.34 pounds
• Binding: Paperback
• 559 pages

About the Author
Ricky W. Griffin serves as Distinguished Professor of Management and Blocker Chair in Business at Texas A&M. He received his Ph.D. in organizational behavior from the University of Houston. He served as editor of the Journal of Management and as an officer in the Southwest Regional Division of the Academy of Management, the Southern Management Association, and the Research Methods Division and the Organizational Behavior Division of the Academy of Management. Dr. Griffin spent three years on the faculty at the University of Missouri (Columbia) before moving to Texas A&M University in 1981. His research interests include workplace violence, employee health and well-being in the workplace, and workplace culture. A well-respected author recognized for his organizational behavior and management research, Dr. Griffin has written many successful textbooks, including: Management, Organizational Behavior, HR, Management Skills, Introduction to Business, and International Business.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good fundamental book
By S3
Get it! - It is a good place to start your management studies.
Well written and a comprehensible read. The author seems to know what he is talking about.
You might consider getting a fuller version by the author, though I can't remember what its called.

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Ideal for marketing, psychology, or social sciences courses at the undergraduate or graduate level, CONSUMER BEHAVIOR combines a strong foundation in key concepts with a highly practical focus on real-world applications for today's business environment. The new edition of this popular, pioneering text incorporates the latest cutting-edge research and current business practices, including extensive coverage of emotion in consumer decision making. In addition, the Fifth Edition includes an increased emphasis on public policy and ethical issues--both extremely timely topics in today's corporate climate. With even more real-world examples and application exercises, including new cases at the end of each chapter, CONSUMER BEHAVIOR provides a thorough, yet engaging and enjoyable guide to this essential subject, enabling students and professionals alike to master the skills they need to succeed.

• Sales Rank: #169881 in Books
• Published on: 2008-12-23
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 1.10" h x 8.00" w x 10.00" l, 3.00 pounds
• Binding: Hardcover
• 672 pages

About the Author
Wayne D. Hoyer holds the James L. Bayless/William S. Farish Fund Chair for Free Enterprise and is Chairman of the Department of Marketing. He received his Ph.D., M.S., and B.S. from Purdue University. His major area of study is consumer psychology and his research interests include consumer information processing and decision making, customer relationship management and new product development, and advertising information processing (including miscomprehension, humor, and brand personality). Dr. Hoyer has published more than 100 articles in academic journals, such as the Journal of Consumer Research, Journal of Marketing Research, Journal of Marketing, Journal of the Academy of Marketing Science, Journal of Retailing, and other marketing and psychology forums. His 1998 article on assortment perceptions (with Susan Broniarczyk and Leigh McAlister) won the 2003 O'Dell Award from the American Marketing Association. He has also been the Montezemolo Visiting Research Fellow in the Judge School of Business and is a Visiting Fellow of Sidney Sussex College at the University of Cambridge (UK). Dr. Hoyer has taught internationally at the University of Cambridge (UK), University of Mannheim, the University of Muenster, and the Otto Beisheim School of Management (Germany), the University of Bern (Switzerland), and Thammasat University (Bangkok, Thailand).

Deborah MacInnis is the Charles L. and Ramona I. Hilliard Professor of Business Administration and Professor of Marketing at USC's Marshall School of Business. She received her PhD from the University of Pittsburgh. Her work focuses on the role of emotions in consumer behavior and branding. She has received the Journal of Marketing's Alpha Kappa Psi and Maynard Awards for the papers that make the greatest contribution to marketing thought as well as the Long-Term Contribution Award from the Review of Marketing Research. Dr. MacInnis has served as Co-Editor and Associate Editor of the Journal of Consumer Research and Associate Editor for the Journal of Marketing and the Journal of Consumer Psychology. In addition to co-authoring CONSUMER BEHAVIOR, she has several edited volumes on branding and has an upcoming book on developing, enhancing and leveraging brand admiration. She is former Treasure and President of the Association for Consumer Research and former Vice President of Conferences and Research for the American Marketing Association's academic council. She is the winner of local and national teaching awards. Dr. MacInnis has also served the Marshall School of Business as Vice of Research and Strategy and Vice Dean of the Undergraduate Program. Her consulting includes work with major consumer packaged goods companies, business-to-business marketers and advertising agencies. She enjoys reading, walking, music, and drawing and adores her family and pets.

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4 of 4 people found the following review helpful.
Good overview of the field, well organized, and contains the latest research
By PGH
I use this book in the undergraduate course I teach on Consumer Behavior. The book is well organized, starting with the basic cognitive and motivational processes that underlie information processing. Next it moves to how people form attitudes and make decisions. Finally it covers how to target specific groups of consumers and how culture influences consumption decisions. The research it cites is up to date and credible. It could be written at a higher level (it seems pitched toward 100 level courses), but is the best textbook I have seen of the 5 or so I have checked out so far.

1 of 1 people found the following review helpful.
Book was definitely soaked once
By rachel ziyi peng
The delivery speed was good. The book has barely any marks on which is good but the entire top of the book has wrinkles (most likely from water) and that's a little bit frustrating. All in all it's not too bad for the money.

0 of 0 people found the following review helpful.
Has good materials but extremely wordy and inconsistent
By aVeryNiceDude
I had this book for the consumer behavior course at my school. First of all, let me make it clear that consumer behavior at my school is considered an intermediate course which people should take in their Junior year. Having said that, this book has so many entry-level knowledge that I constantly wondered why anyone would waste papers printing them. I understand that sometimes author tries to cover everything so students understand the whole picture, but I still have to say some materials were simply a waste of my time and money.

Chapters are very disconnected and it was clear that the book authors didn't bother to spend some quality time reading each others' work. My professor had rearrange the order of the chapters to make everything easier to understand. Organization is really puzzling here to me, I mean, why would you have a term in the prior chapter thoroughly explained but not emboldened and come back several chapters later and emboldens the word and explain the whole concept once again?

Go read The Strategy and Tactics of Pricing: A Guide to Growing More Profitably by Nagle, Hogan, and Zale, that is a college level book right there.

Anyhow, at least my professor made the class interesting and gave us some decent work to do on the side so I actually learned something new.

I give it one star for my amazing professor but I just cannot agree with her choice with this book.

Hopefully no one else waste their money on this book.

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• Sales Rank: #3346574 in Books
• Published on: 2010-07-12
• Released on: 2010-07-12
• Original language: English
• Number of items: 1
• Dimensions: .38" h x 6.24" w x 9.26" l, .53 pounds
• Binding: Hardcover
• 32 pages

About the Author

James Marshall (1942–1992) created dozens of exuberant and captivating books for children, including The Stupids, Miss Nelson Is Missing!, and the ever-popular George and Martha books. Before creating his canon of classic, hilarious children’s books, James Marshall played the viola, studied French, and received a master’s degree from Trinity College. He also doodled. It was the doodles, and the unforgettable characters that emerged from them, that led him to his life’s work as one of the finest creators of children’s books of the twentieth century. In 2007, James Marshall was posthumously awarded the Laura Ingalls Wilder medal for his lasting contribution to literature for children.

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• Sales Rank: #15368660 in Books
• Published on: 2008-01-25
• Original language: English
• Number of items: 1
• Dimensions: 1.27" h x 6.57" w x 9.13" l, 2.83 pounds
• Binding: Paperback

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• Sales Rank: #157421 in Books
• Brand: Brand: Houghton Mifflin Company
• Published on: 2007-10-23
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 8.00" w x 1.00" l, 3.12 pounds
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• 588 pages

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• Published on: 2009-06-06
• Original language: English
• Dimensions: 9.00" h x .41" w x 7.00" l,
• Binding: Paperback
• 182 pages

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The SAM Audio CDs provide the audio that correlates to the lab manual activities.

• Sales Rank: #7881333 in Books
• Brand: Brand: Cengage Learning
• Published on: 2008-12-17
• Original language: Italian
• Dimensions: 10.10" h x .28" w x 6.50" l, .34 pounds
• Binding: Audio CD

Features

• Used Book in Good Condition

About the Author
Elissa Tognozzi (Ph.D. Italian, UCLA) is Senior Lecturer (SOE) in the Department of Italian at UCLA. As Director of Italian Language Studies, she teaches graduate seminars in methods and in technology, coordinates the language program, and supervises the department's teaching assistants. Her upper-division courses include advanced composition, culture, opera, and theater. In addition, she is undergraduate advisor. From 2003 to 2008, she was chair of the AP Italian Development Committee. She was editor of the American Association of Teachers of Italian (AATI) newsletter and is currently the elected representative for AATI for California.

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When the substitute for Mr. "Fab" Fabiano never shows up and his sixth-grade students are on their own, they set out to prove that they can run the class by themselves. With a little ingenuity and some careful planning, they might just succeed. But when a fight breaks out between Bastian Fauvell and Rachel White over a classmate, Tommy Feathers, who died six months earlier, everything begins to fall apart. Can Rachel deal with the anxieties that plunged her into silence the day Tommy died? Inventive and uniquely constructed, "Flying Solo" follows Mr. Fab's students hour by hour as they tackle the challenges of an unusual school day.

• Sales Rank: #41485 in Books
• Brand: Sandpiper
• Published on: 2008-11-10
• Released on: 2008-11-10
• Original language: English
• Number of items: 1
• Dimensions: 7.40" h x .37" w x 5.20" l, .29 pounds
• Binding: Paperback
• 144 pages

From School Library Journal
Grade 4-8-Fletcher follows members of a sixth-grade class through a day when their substitute teacher never shows. The students decide not to report that they are alone and to run the class by themselves. Personal issues are woven into the day's events. Rachel has been mute since a classmate who had an annoying, unrequited crush on her died six months before. Bastian, an Air Force brat used to moving, has to decide whether to subject his beloved puppy to a lengthy quarantine when he moves to Hawaii the following day. Sean's alcoholic father and unnurturing home life make him too shy to express his feelings, especially his crush on Rachel. Karen, a natural leader and "good child," takes the reins in the class, making her own evaluations of right and wrong. Jessica, whose parents are judgmental, can't get past her fear of recrimination to enjoy the class' freedom. The students learn about themselves and one another, and several issues are resolved by the end of the day (e.g., Rachel speaks, Bastian gives his puppy to Sean). The resolutions are simple but not pat, the prose is economical but not sparse, and the characters are developed as sketches rather than in-depth portraits, which helps keep the book moving briskly. The premise will make the novel easy to booktalk. Not a must-have, but a worthwhile purchase.
July Siebecker, Hubbard Memorial Library, MA
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 5^-8. What happens when a sixth-grade class is left unsupervised for a whole day? One might imagine that anything but learning would occur. But when a class usually led by a gifted teacher is left to its own devices, something unusual happens: when the substitute teacher fails to show, the children in Mr. Fabiano's class decide to run the day according to the strict but enjoyable routine ingrained in them by their creative, beloved teacher. Rest assured Fletcher's characters aren't goody-goodies. Rather, they are coconspirators as a countdown clock builds the tension: Will they make it through the day without being found out? As they go through their rote exercises, the kids gain self-assurance and self-reliance. They also come to terms with their feelings of guilt, grief, and sorrow about a classmate who died six months earlier. Fletcher expertly balances a wide variety of emotions, giving readers a story that is by turns sad, poignant, and funny, and, little by little, realistic portraits of the complicated kids emerge. There's no Lord of the Flies anarchy in this thoughtful, absorbing novel, which has a story that will linger long after the book is closed. Kathleen Squires

Review
"Fletcher expertly balances a wide variety of emotions, giving readers a story that is by turns sad, poignant, and funny. . . . "--Booklist, Starred
"More thoughtful and poignant than most school stories . . . with comic moments, demonstrates an utter respect for its . . . readers."--The Horn Book Magazine

" Fletcher expertly balances a wide variety of emotions, giving readers a story that is by turns sad, poignant, and funny. . . . " --Booklist, Starred
" More thoughtful and poignant than most school stories . . . with comic moments, demonstrates an utter respect for its . . . readers." --The Horn Book Magazine

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13 of 13 people found the following review helpful.
ONE OF THE BEST BOOKS EVER WRITTEN!
By Chris Missonak
Flying Solo made be cry so many times it's not even funny. The heart-warming story of selective mute Rachel White, Sarcastic puppy-loving Bastian Fauvell, shy drunken-fathered Sean O'Day, and future cheif justice of supreme court Jessica Cooke, will guarantee to change your life. The story is about a very non-typical April 28, the sixth month anniversery of the death of Tommy Feathers a kid who had a huge crush on Rachel, where Mr. "Fab" Fabiano's class is left without a teacher. This day is narrated by Rachel as she goes through a day like no other. A day where "Kids Rule!"

7 of 7 people found the following review helpful.
Can they go solo................or will the crash?
By A Customer
This story is about a Teacher, Mr. Fabiano. He is planning a vaction. When the subsitute calls in and say's she sick, the people in the school forget. So, Mr.Fabs class is left alone. It was Bastains, the brat, last day at the school, so they did a rock ritual. They got stones and said something good about him. When it was Rachel Whites turn, because, when Tommy Feather's died she never talked anymore, she wrote down things that said how Bastain was mean to Tommy. This is a great book. The one thing I abseoultetley love so much is that this could really happen. Not one of those book's that is so fake not even the chareceter's could be real. This story is great and it is a fun story, figuring out if the class will go steady for one day, but then, sad, bacause the only person is Rachel who remembers that it was Tommy Feathers 6 month anniversery for his death. This book is for everybody!!!

15 of 18 people found the following review helpful.
St. Gerard Gr. 6-Liked it!
By Barbara A. Flynn
I read Flying Solo aloud to my 6th grade class. They had previously heard Someone is Hiding on Alcatraz Island. Flying Solo doesn't have the mystery of Alcatraz Island, but it deals with other important issues for 6th graders today. One student thought it was "neat" to hear the story through the various characters' point of view. I had them write a letter to me when we finished. They were to tell me their opinion and they were to answer the question: Have you ever mistreated a student in this class? They were very honest. I loved it. My class didn't feel they could ever"fly solo." (They're right next door to the school office.) Enjoy this book. We did!

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Webster's bibliographic and event-based timelines are comprehensive in scope, covering virtually all topics, geographic locations and people. They do so from a linguistic point of view, and in the case of this book, the focus is on "Sessing," including when used in literature (e.g. all authors that might have Sessing in their name). As such, this book represents the largest compilation of timeline events associated with Sessing when it is used in proper noun form. Webster's timelines cover bibliographic citations, patented inventions, as well as non-conventional and alternative meanings which capture ambiguities in usage. These furthermore cover all parts of speech (possessive, institutional usage, geographic usage) and contexts, including pop culture, the arts, social sciences (linguistics, history, geography, economics, sociology, political science), business, computer science, literature, law, medicine, psychology, mathematics, chemistry, physics, biology and other physical sciences. This "data dump" results in a comprehensive set of entries for a bibliographic and/or event-based timeline on the proper name Sessing, since editorial decisions to include or exclude events is purely a linguistic process. The resulting entries are used under license or with permission, used under "fair use" conditions, used in agreement with the original authors, or are in the public domain.

• Published on: 2009-06-06
• Original language: English
• Dimensions: 9.00" h x .15" w x 7.00" l,
• Binding: Paperback
• 64 pages

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